Showing posts with label Reptile Palace Orchestra. Show all posts
Showing posts with label Reptile Palace Orchestra. Show all posts

Friday, January 16, 2009

Folk Ball, 2009

We interrupt our regularly scheduled program of shameless self-promotion to bring you..., ummm..., more shameless self-promotion, I guess.

Folk Ball 2009 is rapidly approaching and, if you live anywhere near Madison, WI, or need an excuse to visit, the weekend of 1/23 - 1/25 would be a very good time.

Folk Ball runs from Friday, 1/23 through Sunday, 1/25, but, if all you care about is "when will Ed be playing?", then Saturday, 1/24 is the date to put on your calendar. Early in the evening (second on the list of bands), I will be playing with Veseliyka, who play traditional Bulgarian music. Finishing off the evening, I'll be playing with The Reptile Palace Orchestra, who play, ummm, traditional music in a non-traditional manner. Also on the schedule for Saturday night are Orkestar Bez Ime and Sloboda, both of which are worth the price of admission all on their own.

Just because I'm plugging Saturday night for my own personal reasons, don't think that it won't be worth your while to attend Friday night's dance concert, too. On Friday you can groove to the sounds of Tri Brodovchedki, Cajun Strangers, Yid Vicious and Izvor Orchestra in the Great Hall of the Memorial Union. All of them rock. Seriously. Or, if your tastes take you elsewhere, there will be contra dancing to the music of Duck For The Oyster in Tripp Commons. But that's not all! There will also be a Hungarian Tanchaz (village-style "dance-house") with music by Százska in the Beefeaters room of the Memorial Union.

But, wait! That's not all. In addition to the Friday and Saturday night dance parties, there will be workshops on Bulgarian/Balkan dance by Yves Moreau, Cross-step waltz by Jeannette Watts, Métis Traditional Dance by Dennis Grove, Serbian Folkdance by Michael Malich, Family dance with Duck For The Oyster, African Drumming with Eku Emmanuel & Atimevu Drum &
Dance, West African Dance with Abu Muhammed with Atimevu Drum & Dance, and A Capella Singing with Tri Bratovchedki & Friends.

Admission is free, although it is through generous donations that this event is made possible. Come on down and dance your brains out.

Here is a clip of The Reptile Palace Orchestra playing at last year's Folk Ball:


Wednesday, June 11, 2008

2 gigs this weekend!

Yes, it's true, I'm playing two gigs this weekends, one each with The Reptile Palace Orchestra and The Motor Primitives, and to emphasize just how exciting this opportunity is for you, the reader and potential listener, I put an exclamation point in the title of this post as well as at the end of this sentence!

Now for the particulars:

1) Friday, June 13, 2008: The Reptile Palace Orchestra will play (weather permitting) for FREE at the Capital Brewery Bier Garten, 7734 Terrace Avenue, Middleton, WI. Show time is 6:00 pm. Bring your dancing shoes! Or maybe an umbrella.

**Thanks to Suzy (a.k.a. Ms.Geranium [a.k.a. Luminiferous Ether]) for being so gracious about me playing a gig on our 21st anniversary. Somebody buy her a Kahlua and cream. Hmmm.... maybe I should be the one doing that. Never mind.



2) Saturday, June 14, 2008: The Motor Primitives appear at The Frequency, 121 W. Main St., Madison, WI for the ridiculously low cover charge of $4. Show time is 9:00 pm, and The MPs will be the first of three bands (Tangy will play second, followed by The August Teens), so you won't have to stay out too late to hear us. This is an indoor event, so no umbrella will be needed. Dancing shoes are good, though, and maybe a boat to get home if we get any more rain.



I hope to see some familiar and/or friendly faces at one or both of these events!

Rock on,
Ed

Friday, April 18, 2008

The Reptile Palace Orchestra: Harmony Bar, 4/19

Tomorrow (4/19) I will be playing with The Reptile Palace Orchestra at the Harmony Bar & Grill, 2201 Atwood Avenue, Madison, WI. Since both our "bassists" will be present, I'll probably be playing more Bulgarian tambura than bass. The Ashar Dance Company and El Genneyya Bellydance will be performing to several of our songs. When the bellydancers aren't out on the floor, odds are pretty good that a number of local folkdancers will be. I find that gigs at the Harmony are usually quite enjoyable.

Later the same day:
After reading the post above, Ms. Geranium (a.k.a. Luminiferous Ether) made a comment that went something like this: "You're going to play mostly tambura? That means no one will be able to hear you." (Believe it or not, sometimes we actually communicate verbally, rather than virtually.) She was, of course, referring to a previous performance when I made my debut on the tambura. I am taking steps to rectify that problem. It remains to be seen how effective those steps will be. The Harmony does have a very good PA system and a sound person, so that may help as well.

Tuesday, February 26, 2008

The Reptile Palace Orchestra at MotherFool's


I'll be playing at MotherFool's Coffeehouse (1101 Williamson Street, Madison, WI) this Saturday, March 1 at 8:00 p.m. with The Reptile Palace Orchestra. Cover charge is $7. Since it's a small room, we'll be attempting to keep it pretty quiet. I'll be playing some tambura as well as bass. They say they are going to move furniture to make room for dancing.

Monday, January 28, 2008

The Reptile Palace Orchestra @ Folk Ball 2008

Folk Ball 2008 has come and gone. Here's a video of The Reptile Palace Orchestra's first two numbers. I'm the guy in the hat on the right. First is "The Enchanted Reptile Palace" by RPO cellist and songwriter extraordinaire Seth Blair. Seth sings along with Anna Purnell. Second is a song the name of which, embarrasingly, I don't know, but folkdancers around the country refer to as "The Turkish Hora." The audio quality isn't great, but it captures the atmosphere pretty well. More about the whole event soon.

Wednesday, January 23, 2008

Veseliyka & The Reptile Palace Orchestra @ Folk Ball 2008

I've been remiss in getting this up in a timely manner. Luminiferous Ether already has a good post up, so this may be redundant to you, my loyal reader, but, if you can manage it, get your butt on down to the Memorial Union for Folk Ball 2008, (Friday, 1/25 - Sunday 1/27.) I'll be playing with two different groups this year. Friday night (9:00 p.m.) with Veseliyka, a village-style, all acoustic balkan band, and Saturday night (sometime after 11:00 p.m.) with the Reptile Palace Orchestra, a high octane, eclectic electric ethnic group. Dance and singing workshops throughout the day on Saturday and Sunday, and dance parties Friday, Saturday and Sunday night. Of course, there is also the opportunity to buy stuff, from music to "ethnic" clothing.

Folk Ball is a very cool event. People come from all over the midwest and beyond, it's very family-friendly (although there is an occasional sourpuss - there's at least one in every crowd) and it's just cool. Live music and dancing until the wee hours, no alcohol is served on the premises (although you can go downstairs for beer if you're so inclined, and some of the crowd is) so the people in attendance aren't the type who have getting drunk and stupid as their primary goal.

I already mentioned the two groups I'll be playing with, but I also heartily recommend Madison's Yid Vicious, Milwaukee's Izvor and Sloboda as well as the Twin Cities' Orkestar Bez Ime. I'm not too familiar with the other groups on the schedule, but I imagine they'll be worth checking out, too. Regardless, it is a rare event that offers so much good music and for free, at that (donations are encouraged.) For a full schedule, check here.

In true village style, the boundaries between bands will get kind of fuzzy. I'll be playing with two groups, reed player Greg Smith is a member of both RPO and Yid Vicious. David Kantor and Yuliyan Yordanov will be playing with Veseliyka as well as doing a duo performance on Saturday. And, of course, you can expect to see a lot of Harley Schoville (drummer and percussionist for Izvor and Sloboda) and his brother, Robert (drummer and percussionist for The Reptile Palace Orchestra). It has become something of a Folk Ball tradition for the Schoville Brothers to play percussion together in all three groups. The Schoville Brothers make a truly monstrous percussion duo; it's worth the price of admission by itself. Harley will also be filling in for Yid Vicious on Friday.

Anyway, Folk Ball is a true community gathering and celebration in the very best sense. I always enjoy it, at least.

Thursday, December 20, 2007

Reptile Palace Orchestra: Neenah, WI

I'll be playing with the Reptile Palace Orchestra at Cranky Pat's in Neenah, WI tomorrow night (12/21/07) at 10:00 pm. If you happen to be in the area, or know someone in the area, it should be a good time. I'm told they make a mean pizza.

Wednesday, December 12, 2007

Extremes

So, last Saturday night, after all the insanity of the first part of the day was done, Ms. Geranium/Ether and I attended the Bereaved Parents Support Group's remembrance service. Ms. G/E wrote about it and did a much better job than I could. Every year, it seems that it falls on the same day as Sparkly Seacow's final play of the season which also means cast party, which in turn means preparing food for the party, buying last minute "Secret Buddy" gifts and either chauffeuring kids or making arrangements with other parents to do the chauffeuring. Then it's off in a mad rush to get to the service in time to tune up. Then we get to stop for an hour of stillness, listening, thinking about our daughter, Sophie, and also all the people around us who have also lost children. It's an intensely emotional experience.

After the service, there was some time for socializing with the people we've come to know over the years, but then it was off to a gig with The Reptile Palace Orchestra. The service was on Madison's far west side and the gig on the not-too-far east side. And, of course, it was snowing, so visibility and road conditions weren't too good. Since I had stayed at the service a little longer than I had planned, I had to keep reminding myself to take it easy; I would make it with enough time to get set up and, even if I didn't, there was no need to hurry. Once I got there, of course there wasn't a parking spot anywhere near the house where we were playing, so I lug my gear through the snow, running late (although I had warned the rest of the group I would be showing up at the last minute) and feeling a little stressed once again. I had no idea for whom we were playing (this is not an unusual occurrence with this group - I go where they tell me to go and see what's what when I get there), I only knew it was a private party. Upon entering the building, which was a large old mansion, I found a wild party in full swing. We were playing on the third floor, so up the two flights of steps to a large, crowded remodeled attic, trying to politely work my way through all the party-goers with my bass and assorted pieces of equipment. Fortunately, I was able to do it in only two trips. The band before us was still playing, so I needn't have worried, after all. I stashed my stuff in a corner and looked around for the rest of my band mates, none of whom were anywhere in sight. When I found some of them (gathered around the food, of course!), I inquired as to the nature of the festivities. It turned out that it was the annual holiday party for a local hospital's emergency-room staff. I must say it was quite a contrast, going from the remembrance service with it's sober mood, to this gathering of people hell-bent on having fun. When I say wild, I don't mean the excessive drinking of a fraternity party, but there was a definite sense of people letting loose. Many were dressed to the nines (or maybe tens or elevens) and there was an impressive spread of food and drink that appeared to have been catered by an organization that hired young Russian women to keep the refreshments well-stocked. One band member thought the servers were volunteers from the hospital staff, but that seemed unlikely to me. Anyway, I was definitely feeling a bit overwhelmed by the extreme environmental juxtaposition. It must have been obvious since our singer approached me to make sure I was alright. It seemed like it was going to be a loooong night.

Now, please bear with me a moment while I go off on a tangent about what keeps me playing music despite the meager rewards. After most gigs, I can look back and think "that went pretty well," or "I had a good time tonight" or "that wasn't my best gig," or something along those lines. People tell me I'm a good bassist. I make no such claims, but, every now and then, for some reason that I'm not able to reproduce at will (the moon is in the seventh house, or something like that), I can have a sort of out-of-body experience while playing; I feel like I'm channeling some god (goddess?) or other, or I've somehow managed to tap into some primal force. It feels pretty good. Better than just about anything in the world, actually. I'm not saying that I do anything that anyone else couldn't do, or that anyone listening would even notice anything different from any other night, but when that happens it feels as if the music flows right through me without any interference from my brain. It's those moments that keep me playing through the times when I feel like a terrible bassist, it's too much work, I don't get paid enough, and all those other things that could cause one to hang it up. That probably doesn't make any sense at all, but it's the best I can do for now.

So, back to the party. Okay? Okay. Dreadfully hot, crowded and I feel like my head is going to explode from too much everything before we even start playing. Then, we start, and I have one of those nights. Maybe it was due to the spiritual nature of the remembrance service. Maybe the moon was in the seventh condo on the right. Maybe it was because everyone in attendance was flying high and I knew I could stray into uncharted territory and no one would notice or, if they did, care. Maybe it was some combination of all of the above. Or maybe it was just the weird mould on the unpronounceable cheese. I really don't know, but it seemed that the whole band was listening and responding to each other exceptionally well and at least some of the audience was really enjoying the music. It was great.